Filed under: art-icles, inspirations | Tags: aeolia, aeolia cello, amanda briggs-goode, cello shirt, karen harrigan, knitted stretch sensors, martha glazzard, merlin stretch, nigel marshall, philip breedon, sarah kettley, tangible and embedded, tina downes
Aeolia is a multidisciplinary collaboration headed by Philip Breedon, Amanda Briggs-Goode, and Sarah Kettley at Nottingham Trent University. Through the marriage of textiles and technology, each Aeolia garments transform their wearers’ spatial interactions into low frequency feedback using Merlin Stretch Sensors.
Each of the back forms (left) incorporates the Merlin stretch sensor into an aesthetic exploration of textile technique mapped to the body through weaving, knitting, and embroidery. In motion, the elastic fit of Bekaert yarn activates its stretch sensors by changing the length of their conductive knitted path.
Aeolia’s collaborators write, “In combining feedback from remote land based sensors below, upon and above the earth with biological data from the individual wearers of the body pieces, the work draws attention to different forms of engagement with the world.”
Martha Glazzard originally developed these knitted stretch sensor technologies (below). In addition to utilizing her technique, Aeolia incorporates embroidery work by Tina Downes, weaving by Nigel Marshall, and garment fitting by Karen Harrigan.
The project has since expanded to encompass an Aeolia Cello, which uses Glazzard’s knitted stretch sensors in combination with conductive thread to create a wearable musical instrument. The Aeolia team will be taking its cello garment to the Tangible and Embedded Interaction 2010 Conference at the Media Lab, MIT later this week.
Watch the cello shirt in action during its dress rehearsal:
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